Photography, at first regarded as a curiosity of science, was soon regarded as a most important factor in the search for truth, and its more popular use is now entirely subordinated to its value to the astronomer, the anatomist, the pathologist, and other investigators of the complex problems of nature. The artist, however, still hesitates to avail himself of the resources of what may be at least acknowledged as a handmaiden of art, if not admitted to its most exalted ranks.

Eadward Muybridge in The Attitudes of Animals in Motion Illustrated with the Zoopraxiscope (1882)

There’s something mesmerizing and voyeuristic about Muybridge’s photos as GIFs, because it reveals the world as we see it in passing, but not as we understand its parts. And that is what Muybridge tried to do all his life. So it’s today that Muybridge has come perhaps the closest to being remembered as he wanted to be remembered—as the creator of early cinema.

J. Weston Phippen in The Man who Captured Time (2016)
Categorized as Motion Tagged

By I. J. Khanewala

I travel on work. When that gets too tiring then I relax by travelling for holidays. The holidays are pretty hectic, so I need to unwind by getting back home. But that means work.

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